A concise history of women originating from the city of Lodz acting either as Flâneuses or women artists, at the beginning of modern era until the end of worldwar II. an attempt of re-interpretation of the literary and art history canon

Pawłowska, Aneta

Full metadata record

DC pole	Hodnota	Jazyk
dc.contributor.author	Pawłowska, Aneta
dc.contributor.editor	Novotný, Lukáš
dc.contributor.editor	Clemens, Gabriele
dc.date.accessioned	2019-05-03T09:06:34Z	-
dc.date.available	2019-05-03T09:06:34Z	-
dc.date.issued	2018
dc.identifier.citation	West Bohemian Historical Review. 2018, no. 2, p. 239-252.	en
dc.identifier.issn	1804-5480
dc.identifier.uri	http://wbhr.cz/index.php/issues
dc.identifier.uri	http://hdl.handle.net/11025/34500
dc.format	14 s.	cs
dc.format.mimetype	application/pdf
dc.language.iso	en	en
dc.publisher	Západočeská univerzita v Plzni	cs
dc.relation.ispartofseries	West Bohemian Historical Review	en
dc.rights	© Západočeská univerzita v Plzni	cs
dc.subject	Flâneur	cs
dc.subject	modernismus	cs
dc.subject	umění	cs
dc.subject	Lodž	cs
dc.subject	Katarzyna Kobro	cs
dc.subject	Waleria Marrené-Morzkowska	cs
dc.title	A concise history of women originating from the city of Lodz acting either as Flâneuses or women artists, at the beginning of modern era until the end of worldwar II. an attempt of re-interpretation of the literary and art history canon	en
dc.type	článek	cs
dc.type	article	en
dc.rights.access	openAccess	en
dc.type.version	publishedVersion	en
dc.description.abstract-translated	The purpose of this paper is an attempt of re-interpretation of the literary and art history canon in the context of female writers and visual artists living in Lodz. The idea of the flâneur was developed by a German Walter Benjamin in the 1920s and 1930s during Modernism time, when the “surreal” potential of the industrial urban space was intensively explored. The concept has exerted considerable impact on the way how we now interpret 19th and 20th century depictions of the city. I will analyze the meanings of the texts written by Waleria Marrené-Morzkowska (Ws´ród ka˛kolu 1890), the memoirs of Anna Clare and also the creative output of the female artists from Young Yiddish Group (1918–1921) as well as the sculptures and memoirs of Katarzyna Kobro (1898–1951) – the most intriguing female artist connected with Lodz. She was an accomplished sculptor who was under great influence of Constructivism, she strongly rejected individualism, subjectivism and expressionism, and she postulated instead an absolute objectivism of form. She was instrumental in the establishment of the Museum of Modern Art in Lodz.	en
dc.subject.translated	Flâneur	en
dc.subject.translated	modernism	en
dc.subject.translated	art	en
dc.subject.translated	Lodz	en
dc.subject.translated	Katarzyna Kobro	en
dc.type.status	Peer-reviewed	en
Vyskytuje se v kolekcích:	Číslo 2 (2018) Číslo 2 (2018)

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